Already tomorrow in wide rental comes the thriller "Doctor Son", which will be the continuation of the classic horror stanley kubrick "Lights". The substantial novels of Stephen King are based on both paintings. The horror king has always favorably referred to the filmms of its works, but the film Kubrick inspired a sharp rejection to the writer. Let with the time of King, he softened in his assessment of the "radiance", is still curious than this generally accepted film sedigvar did not please the writer.
Version Kubrick contradicts what King has been sought in his novel
For King, the Roman "Shine" is a very personal book. In the center of the plot, the writer Jack Torrance, who, because of problems with alcohol, not only loses its work, but also turns out to be in the deepest disorders with his wife and a small son. Under the influence of the ominous hotel "Overluk", Jack turns out to be captured by his personal demons and goes crazy, directing his blind rage to his wife and the child, whom he really loves. This story reflects the experience of King himself, which has long fought with alcoholism for a long time. In the final of the book, Jack on a moment still comes to himself and calls for his family to flee, whereas Kubrick the protagonist simply freezes to death, and not getting rid of the vague.
King is dissatisfied with the way the leading characters are presented in the film.
Another King's claim is that in his novel Jack in fact - a decent person, whereas in the monster he turns exclusively due to the harmful influence of the hotel. In the film, we have not been able to doubt the first minute that the protagonist of Jack Nicholson is a worn psychopath, which only waiting for the opportunity to give him will. Also King complains that Vendei performed by Shelly Duval looks like a weak and militant kubrick, whereas in the book it is more dynamic and decisive.
King not like that hopelessness that reigns in the film
According to King, the "radiance" kubrick is strongly lacking warmth and humanity, which were laid in the book. The screen version on this background looks much more cynical and cold. The writer confuses that in the film, in fact, there are no characters that would like to empathize. Instead, a painful feeling of quietly sinking horror comes to the fore. It is noteworthy that it was for the creation of such an oppressive atmosphere Painting Kubrick received a lot of laudatory feedback.
